Friday, April 6, 2012

HAPPY VALENTINES & DAY


They had a run of hit singles between 1977 and July 1979. Then it stopped.

Many folk blamed a disastrous UK tour in 79 when they were blown off-stage every single night by an up and coming band called Joy Division. Others said they just got fed up with the one-dimensional approach to song-writing and playing. The truth is that they probably just fell out of fashion as so many bands tend to do after a few years in the limelight....and besides, the third LP - A Different Kind Of Tension - had a near impossible task in following up the near perfection of Love Bites.

But 33 years on(!!!!).....this deserves a huge re-assessment. It's a classic pop song of having your heart broken. And denial.

mp3 : Buzzcocks - You Say You Don't Love Me
mp3 : Buzzcocks - Raison D'Etre

You say you don't love me
Well that's alright with me 'cos I'm in love with you
And I wouldn't want you doing things you don't want to do
Oh you know I've always wanted you to be in love with me
And it took so long to realize the way things have to be
I wanted to live in a dream that couldn't be real
And I'm starting to understand now the way that you feel
You say you don't
You say you don't

You say you don't love me
Well that's alright with me 'cos I have got the time
To wait in case someday you maybe change your mind
I've decided not to make the same mistakes this time around
As I'm tired of having heartaches I've been thinking and I've found
I don't want to live in a dream I want something real
And I think I understand now the way that you feel
You say you don't
You say you don't
You say you don't

You say you don't
You say you don't

You say you don't love me
Well that's alright with me I'm not in love with you
I just want us to do the things we both want to do
Though I've got this special feeling I'd be wrong to call it love
For the word entails a few things that I would be well rid of
I've no need to live in a dream it's finally real
And I hope you now understand this feeling I feel
You say you don't
You say you don't
You say you don't love me
You say you don't love me
You say you don't love me
Mmmmm....

It might be sixth-form poetry. But it's bloody good sixth-form poetry. Morrissey-esque....




Fucking brilliant......way better than most of the solo material in recent years!!!

As I say.......Happy Valentine's Day.

The Civil Wars - Barton Hollow Lyrics

Barton Hollow by The Civil Wars, Music Lyrics and Video

Barton Hollow is the title track and the first single by The Civil Wars, from their first full-length studio album “Barton Hollow” (February 1, 2011). The album debuted at #1 on iTunes album sales chart and at #12 on the Billboard 200. As of January 2012, it has sold 270,197 copies in the US.

The “Barton Hollow” refers to the community of Barton, Alabama, a few miles down the road from John Paul White’s hometown of Muscle Shoals.

The Civil Wars - Barton Hollow LyricsThe Civil Wars - Barton Hollow Lyrics

I’m a dead man walking here
But that’s the least of all my fears
Ooh, underneath the water

It’s not Alabama clay
That gives my trembling hands away
Please forgive me father

(http://musicloversgroups.blogspot.com/2012/02/civil-wars-barton-hollow-lyrics.html)
Ain’t going back to Barton Hollow
Devil gonna follow me e’er I go
Won’t do me no good washing in the river
Can’t no preacher man save my soul

Did that full moon force my hand?
Or that un marked hundred grand?
Ooh, underneath the water
Please forgive me father

Miles and miles in my bare feet
Still can’t lay me down to sleep
If I die before I wake
I know the Lord my soul won’t take

I’m a dead man walking
I’m a dead man walking

Keep walking and running and running for miles
Keep walking and running and running for miles
Keep walking and running and running for miles

Ain’t going back to Barton Hollow
Devil gonna follow me e’er I go
Won’t do me no good washing in the river
Can’t no preacher man save my soul

Ne-Yo - Get In Lyrics

Get In
Lyrics by Ne-Yoenergy is always from youuh uhsays clear to me what you won’t not do mhm mhmdon’t even know my name, baby you’re noti don’t know..is the energy that makes you cool fr us to takeand ambition awaychorus:uh get in into each otheruh ’cause no one will feel get inuh get into one anotheruhh ’cause do what we really get inand the music loud and the lights are loweverybody is

Nicki Minaj - Starships Lyrics

Starships
Lyrics by Nicki Mina

jLet’s go to the beach,
eachLet’s go get away
They say, what they gonna say?
Have a drink, click,
 found the bud light
Bad b-tches like me, is hard to come by
The patron own, let’s go get it on
The zone own, yes i’m in the zone
Is it two, three? leave a good tip
I’mma blow off my money and don’t give too quick
I’m on the floor, floor
I love to dance
So give me more, more, till

Akon - Hurt Somebody Lyrics (Ft. French Montana)

Hurt Somebody
Lyrics by Akon Ft. French Montana

This concrete is too cold,
to be walking on it
Or else walking on it with no shoes on (no shoes on)
Don’t wanna struggle, oh no
Don’t want it to become a habit
I’ve been living in the gutter with no shoes on
Let me get up out of here
Before I hurt somebody
Or I have to hurt somebody
Before I hurt somebody
Or I have to hurt somebody
Before I hurt somebody
Or I

The Only One and Only Gillian Welch

      Well, it's that time of year when I tend to feature a a female alt-country star (Neko Case), Kelly Willis, Lucinda Williams, Iris DeMent), so this year I thought it was high time for a Gillian Welch compilation.  There's one cut from each of her formal releases, but the rest is contributions to tribute albums and soundtracks, duets, and a lot of live tracks.  Disc Two  arrives next week.





Beulah Land
Pocahontas
Pretty Flowers
Summer Evening
Lua
Silver Dagger
I've Been Down Before
Gold Watch And Chain
I'll Fly Away
Wind And Rain
Barstow
One Monkey
Black Star
Tonight I'll Be Stayin' Here with You
White Rabbit

THINKING ABOUT GOLF-PLAYING POP STARS.....


Lloyd Cole's solo career hasn't brought a huge deal of success with just the one chart hit - Like Lovers Do back in 1995.  I'm not sure if it has been Lloyd himself or the record label but some of his better material has been left behind as LP tracks with the stuff released as singles being weak.

This, the second single lifted from Bad Vibes in 1993 is an example of what I'm referring to:-

mp3 : Lloyd Cole - Morning Is Broken

Bad Vibes isn't a great album - it's certainly my least favourite of all the solo material.  But it does itself no favours by leading off with Morning Is Broken which is a rather dull song all round that still got issued as the second single from the LP.  Maybe Lloyd saw something in it that few of the rest of us did.

The start of it nowadays reminds of the hit single Dominoes by The Big Pink, but for years I couldn't get out of my head that it was the sort of nonsense we'd be subjected to by Kula Shaker.

The single was shoved out on two CDs and the four tracks were a bit of a mixed bag:-

mp3 : Lloyd Cole - Radio City Music Hall
mp3 : Lloyd Cole - Eat Your Greens
mp3 : Lloyd Cole - The Slider
mp3 : Lloyd Cole - Mannish Girl

The best of them is The Slider which happens to be a cover of a Marc Bolan song.  The good thing is that a few years later, Lloyd did re-discover his mojo and nowadays his material and live shows are things of joy and often rare beauty.

Here's a TV performance from back in the day:-



Happy Listening

SATURDAY & SCOTTISH SINGLE (Part 20)

From wiki:-

Bis are a Scottish indie pop band composed of Steven Clark (Sci-fi Steven), John Clark (John Disco), and Amanda MacKinnon (Manda Rin). Formed in 1994, the band broke up in 2003, but reformed briefly in 2007 for a series of concerts.

The three musicians formed Bis in 1994, when Rin and Disco were in secondary school and Steven had recently finished there. About a year later, they appeared on BBC Television's Top of the Pops performing "Kandy Pop" from their Secret Vampire Soundtrack EP ahead of its release: much being made at the time about them being the first 'unsigned' band to do so: in reality dozens of bands - especially in the late 1970s and 'novelty' acts - had appeared on the show with singles released on labels they had no formal contract with other than as a distributor or, like Bis, on a single by single basis.

Bis released a number of EPs, three of which entered the UK Singles Chart. In the late 1990s "Eurodisco", from their album Social Dancing, became a minor success for the band in Australia as well as the UK.

The band's name, rhyming with 'this', derives from "Black Iron Skyline", a lyric from the song Twilight of a Champion by The The.

The band's early releases were on Glasgow's Chemikal Underground label, run by The Delgados, before transferring to Wiiija where labelmates included Cornershop. In the United States, their records appeared on the underground label K Records, and on the Beastie Boys' Grand Royal label. They toured extensively both in the UK and abroad— their diverse influences reflected in the kind of acts they appeared with: Pavement, Garbage, Luscious Jackson, Foo Fighters and Gary Numan amongst them.

The group became a favourite of the likes of Blur, John Peel and Green Day, despite a particularly hostile review by Steven Wells in the New Musical Express entitled "The Sinking of the Bis-Lark".

The U.S. first encountered the band during the closing credits of The Powerpuff Girls animated series. Their song "Detour" was also given some radio airplay in the U.S. They enjoyed a period of success in Japan, selling nearly 100,000 copies of their debut album in its first week of release, but future releases failed to be anywhere near as successful.

The band broke up in 2003, after playing a farewell show at King Tut's Wah Wah Hut. All remained active in the local music scene. Steven and John Disco played in Dirty Hospital and Rin acted as a DJ. Rin was also in a band called The Kitchen, whilst Disco joined the ska band, The Amphetameanies, which included members of Belle & Sebastian and Pink Kross.

In 2005, they announced on the official Bis website that together they had formed a new band, called Data Panik with Stuart Memo on bass and drummer Graham Christie. After releasing two 7" singles, however, the band split up.

Bis contributed an old song to the game Jet Set Radio Future called "Statement of Intent". In 2005, Bis performed in animated form on the CBBC children's cartoon BB3B.

As of 2006 Rin was working on solo material.  In 2007 she teamed up with the Scottish electro-pop outfit, Juno!, and has collaborated on their independently released singles, "Smoke & Mirrors" and "These Boys Are Athletes", as well as regularly appearing live with the band, most recently at the Rock Ness 2008 Festival.


To celebrate the 10 year anniversary of the release of their debut album The New Transistor Heroes, Bis re-formed in April 2007 for three shows in Glasgow, Manchester, and London. A greatest hits compilation titled We Are Bis from Glasgow, Scotland was released on compact disc to coincide with these shows.


In August 2008, Rin released the solo single, "DNA", which she followed up with the release of her debut album, My DNA with "This Is Fake DIY" in September 2008.


In November 2009, Rin announced that the band would reform to play at the Primavera Festival in May 2010.


More recently, singer Manda Rin provided the artwork for an iPhone game called "All Fridges Are Psychotic" and (on 18 November 2010) made a short guest appearance on the BBC music quiz programme Never Mind the Buzzcocks. She also teamed up with Hyperbubble on a track for their 2011 album Drastic Cinematic.

And here's the one bit of plastic I have in the cupboard:-

mp3 : Bis - Kandy Pop
mp3 : Bis - Secret Vampires
mp3 : Bis - Teen-c Power
mp3 : Bis - Diska

A #25 hit in March 1996.   Next up.....Blood Uncles.

THE MONDAY CORRESPONDENT


From Hilltown to Tinseltown.

Hearing a track on my iPod whilst in the middle of the South China Sea inspired this posting.

The track I heard was Tragedy Girl by King L, a band band formed in 1995 by Gary Clark.

Clark had fronted Dundee band Danny Wilson, who were formed in the mid-eighties. Gary Clark and schoolmate Ged Grimes had been in a school band together. It was when they were joined by younger brother Kit Clark, they were signed to Virgin Records after being discovered busking.

Initially they were called Spencer Tracy, their first album was recorded, the artwork completed, when someone from Virgin Records in America feared that they may be sued by the Tracy family, and so a name change was needed.

Clark’s father was a big Frank Sinatra fan and his favourite Sinatra film was Meet Danny Wilson, about which Clark Snr was always complaining that the TV companies never showed often enough. It seemed to fit the bill.

The album Meet Danny Wilson was released in April 1987, and its first single Mary’s Prayer was released three times before becoming a hit in the UK. It only happened after it was championed by Jonathan King’s ‘youth’ TV show No Limits who kept playing the video as a song that ‘should have been a hit’. The song actually went to #32 in the US charts before it reached #3 in the UK charts, as I said earlier, at third time of asking.

mp3 : Danny Wilson - Mary's Prayer

The album was an eclectic mix, with two tales of leaving their hometown of Dundee - Davy and Aberdeen. Other tracks had a jazz feel to them and one song  - Nothing Ever Goes To Plan -  is even described as a Bosa Nova. But the strength of the album is the song writing of Gary Clark.

The follow up album Bebop Moptop produced a second hit single The Second Summer of Love, a song that I don’t really care for, while another single I Can’t Wait was backed by a wonderful live cover version of the famous Abba hit Knowing Me Knowing You which includes the immortal shout out ‘Jimmy Shand*’ before the instrumental break where they played an accordion instead of a guitar.

mp3 : Danny Wilson - Knowing Me, Knowing You (live)

*Sir Jimmy Shand from Auchtermucty, Fife was a Scottish musician who played traditional Scottish dance music on the accordion. He was a favourite of the Queen.

The three members of Danny Wilson went their separate ways in early 1991, Gary Clark then released a single under the name of Eleven.

He then set about writing and recording a solo album, most of the songs were intended for a third Danny Wilson album but he had a free hand with his choice of songs without consulting anyone else.

Ten Short Stories of Love was released in 1993; it’s an album that shows Clark’s ability to write bitter/sweet pop songs. The album had a more soulful sound in places. Unfortunately the album didn’t sell in any great numbers.

mp3 : Gary Clark - This Is Why, J

It was on the back of this release that I saw Gary Clark, for the one and only time, play live in his hometown of Dundee, at the Whitehall Theatre on the 27th May 1993.

Being a sort of homecoming gig, the place was packed to the rafters and a surprise was that in his touring band was Boo Herwerdine, the founding member of The Bible.

During the evening both Ged Grimes and brother Kit joined Clark on stage. One of the highlights was when they played a tremendous version of the Isley BrothersSummer Breeze, which was quite appropriate for an early summer’s evening even in Dundee.

The collaboration with Hewerdine continued into Clark’s next project, the aforementioned King L album Great Day for Gravity.

The pair started writing songs and the album developed further when Clark met Eric Pressley on a trip to Los Angeles. Neil MacColl, also a former member of The Bible, joined in the writing and recording of the album.

The album once again failed to sell but received great critical acclaim, but it's one that I've found very enjoyable rediscovering recently.

mp3 : King L - Tragedy Girl

Clark and Pressley then formed a band Transister with Keely Hawkes, (sister of Chesney ‘the one and only’ Hawkes). They produced a six track EP and one album. Tracks from the album were used in six different Hollywood movies. Their sound is quite similar to Garbage.

mp3 : Transister - Dizzy Moon

Gary Clark then became ‘a gun for hire’ songwriter composing hit songs for the likes of Natalie Imbruglia for whom he co-wrote and produced her million selling album White Lilies Island.

So far he has worked with David McAlmont, Liz Phair, Skin (Skunk Anansie), Mark Owen and Lloyd Cole among others.

mp3 : Mark Owen - Kill With Your Smile

Working with Lloyd Cole seems on the whole to have been a very enjoyable experience, according to a recent interview with Gary:-

"I’d met Lloyd a few times in the process of gigging and doing promotional work, we shared the same publisher and he suggested that it would be good for us to write together. We met up in New York and we came up with a few songs. The interesting thing about Lloyd is that he is a brilliant songwriter….but he doesn’t want to write lyrics with anyone else.


I was used to being involved in the lyrics, so it was a weird dynamic trying to work with him, because I’d suggest things and could feel him pulling away. I’d suggest more and he’d just close the song down. So I left New York thinking we had a bunch of unfinished things and Lloyd would finish the lyrics once I’d gone.


‘That Boy’ is the one song of ours that saw the light of day and it has been released, on the original ‘The Negatives’ album, on a Greatest Hits compilation and on another release.


It really is the gift that keeps on giving!!!!"

mp3 : Lloyd Cole - That Boy
mp3 : Lloyd Cole & The Negatives - That Boy
mp3 : Lloyd Cole - That Boy (Langer & Winstanley Mix)

Gary Clark now lives in LA and is a highly sought after songwriter and producer.

If you are listening to a mainstream radio station chances are you are hearing a pop song written and produced by a man from Dundee.....from the Hilltown area of the city of Discovery.

Mr John Greer, Monday 20 February 2012

Kid Cudi - Dose Of Dopeness Lyrics

Dose Of Dopeness
Lyrics by Kid Cudi

Moving without moving.
Pure crush groovin’
Right on track, right on and
I’m backRap ex-lax,
yeah I be pooing on ‘em
Damn right, Mr Cudi he be dippin’ on ‘em
Say it loud, you all want the new new
Explorer like Dora
Thats how I got a clue too
So f-cking underground,
barely on YoutubeTill Day
 N Nite now they al got a clue who
Took me a minute man, took me a whileHard

Crooked I - Monsters In My Head Lyrics (Ft. Slaughterhouse)

Monsters In My Head
Lyrics by Crooked I Ft. Slaughterhouse

Monsters in my head
Monsters in my head
[Crooked I]
What if I told you
 I wake up screamin’ and swingin’
Dreamin’ that
 I’m fighting demons
Dreamin’
I’m swingin’ on heathen’s
Competin’ and schemin’ to eat every piece of my piece when
I’m sleepin’Need a priest and a deacon
When I’m speakin’ to preachers tell ‘em
I’m only at peace when I’m drinkin’I’

Santigold - Disparate Youth Lyrics

Disparate Youth Lyrics
by Santigold


Don’t look ahead,
 there’s stormy weather
Another roadblock in our way
But if we go, we go together
Our handš are tied here if we stay
Oh, we set our dreams to carry us
In the middle where we were one
Now we push right past to find out
Or either win what they have lošt
Oh ah, oh ahWe know now we won’t go
Oh ah, oh ah
Our lives worth fighting for
Oh ah, oh ah
We know now we

Bruce Springsteen - Easy Money Lyrics

Easy Money Lyrics
 by Bruce Springsteen


You put on your coat,
I’ll put on my hatYou put out the dog,
I’ll put out the catYou put on your red dress for me tonight,
honey
We’re going on the town now looking for easy money
There’s nothing to it mister,
 you won’t hear a sound
When your whole world comes tumbling down
And all them fat cats they just think it’s funny
I’m going on the town now looking for easy

Bruce Springsteen - Easy Money Lyrics

Easy Money Lyrics by Bruce Springsteen
You put on your coat,
 I’ll put on my hatYou put out the dog,
 I’ll put out the catYou put on your red dress for me tonight, 
honey
We’re going on the town now looking for easy money
There’s nothing to it mister, 
you won’t hear a sound
When your whole world comes tumbling down
And all them fat cats they just think it’s funny
I’m going on the town now looking for easy

THE NUMBER ONE SINGLE WITH THE LONGEST TITLE (WITHOUT BRACKETS)


And before anyone grumbles, the picture on the sleeve is distorted as illustrated above.

I've never been a huge lover of the Manics. I've not much of their stuff in the collection.  And I've certainly got no time at all for this abomination of a cover single they recently released.



But there was a time they were riding the crest of a wave and deservedly so. They got to #1 in August 1998 with a song that was inspired by the Spanish Civil War and the part played by left-wing Welsh volunteers who joined the International Brigade in the ultimately doomed effort to prevent the rise of fascism under General Franco.  It's not often get pro-war songs from a left-wing perspective.

The song takes its name from a Republican poster of the time. A photograph of a young child killed by Nationalist bombs is shown under a sky of bombers with the stark warning "If you tolerate this, your children will be next" written at the bottom. An original of the poster can be seen at the Imperial War Museum, London, as well as at the Southworth Spanish Civil War Collection at the University of California.

According to the sticker on the front of my copy, I picked the CD single up for £2. Not bad for a hit as big as this and for the fact there's remixes to suit most folk's tastes:-

mp3 : Manic Street Preachers - If You Tolerate This Your Children Will Be Next
mp3 : Manic Street Precahers - Massive Attack Remix
mp3 : Manic Street Preachers - The Class Reunion of The Sunset Marquis Mix

The third track features work from uber-producer David Holmes.

Happy Listening

Teenage Shutdown #13-I'm Gonna Stay - CD (Teenage Shutdown, 2000)

Target: Fuzz!
1 The Mondels - I Got A Feeling (GA, U.S.A.)
2 Mongrell's Band - Be My Girl (Oneonta, AL, U.S.A.)
3 The Wanderer's Rest - Anytime Anywhere (Milwaukee, WI, U.S.A.)
4 The Peabody Hermitage - Something So (Chattanooga, TN, U.S.A.)
5 The Modds - Leave My House (Poplar Bluff, MO, U.S.A.)
6 Greg Barr & The Barr Association - Dance Girl Dance (Houston, TX, U.S.A.)
7 The Great Society - I'm The One For You (Villa Park, IL, U.S.A.)
8 Oscar Hamod & The Majestics - Got To Have Your Lovin' (Gary, IN, U.S.A.)
9 Ides - Psychedelic Ride (Milford, DE, U.S.A.)
10 The Grains Of Time - No Matter What They Say (Albertville, AL, U.S.A.)
11 Lou Capri - Love And Kisses (Chicago, IL, U.S.A.)
12 The Mondels - You'll Never Come Back To Stay (GA, U.S.A.)
13 The Rock Garden - Super Stuff (Camden, AR, U.S.A.)
14 The Moxies - I'm Gonna Stay (Paducah, KY, U.S.A.)
15 The Black Banana - Listen Girl (Bradford, PA, U.S.A.)
16 The Night Mist - Last Night (TN, U.S.A.)
17 The Sceptres - But I Can Dream (Glen Ellyn, IL, U.S.A.)

Chris Brown - Turn Up The Music (Remix) Lyrics (Ft. Rihanna)

Turn Up The Music (Remix) Lyrics by Chris Brown Ft. Rihannaturn up the music, cause this song just came onturn up the music, if they try to turn us downturn up the music, can i hear it til the speakers blowturn up the music, fill your cup and drink it downif you’re sexy and you know it put your hands up in the airput your hands up in the air, girl, put your hands upif you’re sexy and you know it

REVISITING AN OLD POST....45 45s AT 45 - NUMBER 2


Originally posted on Tuesday 17 June 2008

I’ve repeatedly said that I was never a punk, but just someone who loved an awful lot of the punk-sounding records. However, the early singles and debut LP by The Clash weren’t things that I was initially fond of – they were just too raw and raucous for my tastes, which at that time were still evolving.

As with most teenagers, I got some money from my mum and dad and aunties and uncles for my 15th birthday, and so I traipsed up the road to the record shop. I can’t actually remember everything that was bought…there’s every chance I bought a bundle of disco stuff as Saturday Night Fever was all the rage and all the girls wanted someone who danced like John Travolta.

I do distinctly remember buying my first ever single by The Clash with some of the money – it was on prominent display in the shop having just been released a couple of days previously. The reason I remember all this is down to a sort of hero-worship of a guy called Mick. Not only did he work in a record shop, he also had his own mobile disco with lights and everything....and Mick said that day that if I wanted to buy something special for my birthday then it should be this new single called (White Man) In Hammersmith Palais.

When I told him that I didn’t really like The Clash, he asked me if I had ever really listened to them. I had to admit that I hadn’t other than what I had sometimes heard on the radio. He then offered to play the single for me there and then. Of course in order to retain any degree of coolness, I was always going to say it was fantastic.....

So I took the record home, but I was nowhere near convinced. This certainly was nothing like love at first sight. But like all new records, it continued to get spins on the turntable all the time, and within a week or so, after a number of listens, I realised, in a sort of Road To Damascus conversion moment, the song was something really different and special. And with that I felt I could classify myself as a Clash fan – one of the best decisions I ever made as the band and their music became a sort of secret password for getting on so well with people in the years to come.

The first example of this was a year later when I took on my first ever summer job, over a period of six weeks or so, at the age of 16. It was in a city-centre store that sold car accessories. I was easily the youngest member of staff – the rest of them were dead old being at least 19, while the store manager was ancient at the age of 25. I wasn’t able to do the sort of things they did, such as go out to the pub after work on a Friday night. But one other worker was interested in the fact I bought Melody Maker every week – although his own preference was for the NME.

That’s when I learned his taste was for punk/new wave, his favourite being The Clash. The fact that I liked the band was a big factor in me being accepted in the workplace.

A few years later, the time had come to move out of the family home and into a student flat. It was a case of trying to find folk you would be compatible with, and the deal with the two lads who I was eventually to move in beside was sealed when we all said that White Man…was our favourite Clash single. So much so in my case, that by this time (1983) I had learned to play it note-for-note on a Casio keyboard which I demonstrated one evening in a drunken stupor while another of the flat mates played bass and the other sang. The girls we had back that night were far from impressed.

I always thought I was in a minority with my love for this single over all others by The Clash. I was certain that White Riot, London Calling or even the cover of I Fought The Law would win out in any popularity contest. But no, there was some sort of poll a few years back which revealed that the most popular and enduring song was the one released in June 1978:-

mp3 : The Clash – (White Man) In Hammersmith Palais
mp3 : The Clash – The Prisoner

It was unusually slow and melodic for a punk/new wave band. You could even make out a whole lot of the words without the need for a lyric sheet. It was also a song that lended itself to the use of your badminton racquet masquerading as your guitar….and it’s a song that has aged magnificently, sounding every bit as fresh, exciting and vibrant today as it did 30 plus years ago.

It’s hard to recall that all those years ago, the release of White Man… caused a bit of an uproar among the hardcore fans of the band. It was a radical departure from the short, sharp, loud and angry songs that had symbolised everything punk/new wave was supposed to be. It was, looking back, the earliest indication (notwithstanding Police & Thieves) that The Clash were no one-trick pony but in fact a quite extraordinary band capable of producing top-quality songs influenced by all sorts of genres.

I no longer have this single in the collection – another victim of the Edinburgh debacle of 1986, but by then it wasn’t a bit of vinyl that could have safely gone on the record player.

It was a record that had been played to within an inch of its life – it was worn out, full of scratches and jumps courtesy of it being shoved on more than once in a drunken stupor in which I bumped against the turntable. And because I imagine that’s how everyone who ever owned the single behaved with it, I’ve never pursued a copy via e-bay as the vinyl will be in a far from pristine condition. Instead, I’ve relied on an antiseptically clean copy that I have within the 3-CD box-set of Clash on Broadway.

2012 update...

One of the greatest things about blogging is how generous many folk are.  Not long after this post appeared back in 2008, someone (and I'm annoyed I can't remember who it was) got in touch to ask if I had the alternative version of the song recorded especially for a Rock Against Racism LP in 1978. When I said I hadn't, it was promptly attached in an e-mail. And here it is...

mp3 : The Clash - (White Man) In Hammersmith Palais (alternative version)

Happy Listening

ONE MONTH ON FROM VALENTINE& DAY - SOME BEAUTIFUL LOVE


From 1991. A cracking wee bit of pop from Julian Cope. In reaching #32 in the UK singles charts, this remains one of his best-performing solo efforts.

At this point in time, Julian was fond of writing wonderfully entertaining an but often obtuse sleeve notes for all his songs.  Here's what he said on this 12":-

mp3 : Julian Cope - Beautiful Love

Is a campfire song written to the elements and sung to the 4 corners of the world, enthusiastically and in a bad dialect. "Beauty-full love, where have you gone?"  Aaf Verkade provides the White Man's Trumpet as hauntingly innocent as watching Charles and Di clapping ON the beat at the Nelson Mandela concert earlier this year. From the forthcoming album "Peggy Suicide".

mp3 : Julian Cope - Port Of Saints

Is self-explanatory. Balfe and Bill Drummond now exist only in mu unconscious, but I shall always be paranoid of their desire to do me wrong. Quite a timely slag-off really, as Drummond has just seen fit to release all kinds of old material without asking anyone's permission. That poor guy - ever the entrepreneur - torn between '80s W.A.S.P. intellectual KAKA and a superb organisational ability.

mp3 : Julian Cope - Love L.U.V.

Hugoth Nicolson took this poor innocent song and introduced it to a weekend in the big city. The obvious results are clear to see like Rita Tushingham and Lynn Redgrave in 'Smashing Time'. 'Beautiful Love' got laid, got drunl and got hungover and hoping to die. Remix engineers? I shit 'em.

mp3 : Julian Cope - Unisex Cathedral

"Where the bitches stand in line." Previously released in April 1990 on the Texas-only LP 'DROOLIAN'.

For once the songs match the notes.  It's mostly good stuff.

Happy Listening

TODAY:PERFORMING IN MARYLAND, USA